Often by applying abstraction, Victor Koos creates intense personal moments by means of rules and omissions, acceptance and refusal.
His work doesn’t reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. By questioning the concept of movement, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of their own perception.
His work isolates the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound.
Whether shooting Fashion, Promotional, or Fine Art, its hard for these traits to not seep into his work.

Published in Create Magazine, Dark Beauty, Detroit News, Magnetic Magazine, Metro Times, MixMag, NYLON, Spira Music.

Back to Top